Cable Chiefs Discuss Reality Programming, Apple Model And Rim Obsession

Ray Richmond is contributing to Payment dates TV coverage AMCs EVP original programming Joel Stillerman mentioned not to take into account the fact Mad Males might have been in the air in originals for a lot of 17 several days if this finally returns due to its fifth season on March 25. Speaking this mid-day within an HRTS Lunch within the Beverly Hilton billed just like a Cable Programming Summit, Stillerman expressed that Mad Mens audience has proven to become probably the most loyal in many of television, adding, So while its never easy to make organizing options which have a showcase the atmosphere a lot more than possibly youd like, In my opinion its potential to assist the show with time, I really do. Mad Males Jon Hamm stood a slightly different consider the problem when came out on Late Show with David Letterman the other day. When billionaires fight, it takes substantially longer to remain,” he mentioned. “So we'd some loaded people determining how extended we'd be in the air. The large event, moderated by Access Hollywoods Billy Rose rose bush, also featured Turner programming chief Michael Wright, MTV programming mind David Janollari, ABC Family programming/development EVP Kate Juergens, and Starz controlling director Carmi Zlotnik. All of the panelists agreed that nonscripted programming should be an growing part of their overall original slates. We have to come in the nonscripted space couple of years agi, Wright recognized, so were moving there very quickly now. Wright also needed the possibility at that time the ipad 3 was brought to praise the Apple model. The main one factor Ive always recognized relating to this company, he mentioned, can it be seems to own this kind of finger which people want. They are to own built a business based on products the customer would like. For television, we have to (also) create things the viewer would like. We actually should stay better attuned compared to that. A lighter moment arrived the conclusion in the discussion, when Rose rose bush asked for the panelists once they ever awaken in the heart of the evening, grab their Rim, and start to resolve emails. Yes, Zlotnck recognized, and my partner states, Put it lower. Quipped Rose rose bush: Were speaking relating to your Rim, I guess?

Jane Alexander Tackles Edward Albee's 'The Lady From Dubuque'

Jane Alexander Tackles Edward Albee's 'The Lady From Dubuque' By Simi Horwitz March 1, 2012 Photo by Joan Marcus Jane Alexander in "The Lady from Dubuque" Imagine playing an amorphous figure who may or may not represent impending doom. Not that the title character, Elizabeth, is delineated as such in Edward Albee's "The Lady From Dubuque," now running Off-Broadway at the Pershing Square Signature Center. But she's clearly on another plane, says the patrician Jane Alexander, who's tackling the part in the intense drama centering on Jo, a dying woman (Laila Robins), and her tormented relationships with her spouse and their friends. After a raucous evening, mysterious strangers Elizabeth and Oscar (Peter Francis James) arrive, seemingly out of nowhere, to soothe Jo. "Edward says you cannot play a character as a metaphor," Alexander says. "Edward won't define her, not even in private. So I play it as I feel it, as a flesh-and-blood woman, who's there as a comforter. That's what Jo needs. Edward says reality is defined by what we need."Often playing aristocratic women, Alexander has had a stellar career in theater, film, and television and garnered a shelf-ful of awards along the way. She also served as the chair of the National Endowment for the Arts from 1993 to 1997. A lifelong activistfrom civil rights to anti-Vietnam protests to feminismAlexander now focuses her attention on environmental issues, with a special interest in conserving natural habitats for wildlife.Though she never envisioned a life in government, Alexander had her sights set on acting when she was growing up in Boston. But to accommodate her father, who firmly believed everyone should have a fallback career, Alexander majored in math as well as theater at Sarah Lawrence College. Computers were beginning to appear, and Alexander thought if acting didn't pan out she could work as a programmer. Her junior year abroad at the University of Edinburgh, however, changed the course of her life. She performed with the school's drama club, and her talents were touted by the local papers. No longer open to pursuing backup gigs, she dropped out of college and forged ahead with acting. "My poor dad," Alexander recalls. "But he told me to go ahead with it and gave me two years."As it turned out, within that deadline she was working as an actor. Throughout her career, she honed her craft and played an array of parts in regional theaters. But a pivotal momentindeed, an artistic epiphanyoccurred when she was starring in "Saint Joan" at the Arena Stage in Washington, D.C. Her future husband, Edwin Sherin, was directing. At the time she had been studying with a teacher in NY"who will remain nameless," she chortles. "Ed said to me, 'There's only one problem with your acting. You can't be seen, and you can't be heard.' So I jettisoned the method I had been working on and listened to Ed. I learned how to put more emphasis on the vocal and took ownership of my roles."Her professional watershed was starring opposite James Earl Jones in "The Great White Hope," playing a black boxer's white mistress. It was launched at the Arena Stage and moved on to Broadway in 1968 before becoming a major film. The production established the careers of both actors. "We both got Tony Awards, Academy Award nominations, and were off and sailing in all three mediums," she remarks, sounding thrilled even in retrospect. " 'The Great White Hope' was remarkable especially during the height of the civil rights movement. There were 63 actors in the cast, playing over 200 roles, and more than half of them were African-American. The audience was diverse. It was incredible to be part of that."A Proactive CareerNever one to rest on her laurels, Alexander decidedafter close to 20 years of working steadilyshe needed to become proactive and produce her own work. It was not simply to give herself choice roles: "I felt there were stories I wanted to tell," she says. The projects she produced and starred in included "Calamity Jane" for CBS and "A Marriage: Georgia O'Keeffe and Alfred Stieglitz" for PBS.But mounting self-generated work was not easy, and Alexander soon tired of the relentless struggle. "Being in Hollywood when you're a woman in your late 40s was very tough, especially then," she points out. "There was a lot of pressure and humiliation. Many of the producers didn't know who I was."Interestingly, for mature screenwriters, she felt there was far more discrimination than for female actors of a certain age. "Producers were known to have said, 'Don't send me scripts written by writers over 35' or some other young age," she recalls. "The only discrimination I felt as an actor is that there have always been more roles for mature men than mature women in film." A major shift in Alexander's life took place when she was tapped by President Bill Clinton to helm the NEA. It was the capstone of a lifetime dedicated to progressive movements. Still, she was not fully prepared for what came with her new post."I became the focus of media attention," she says. "It was during the time of the NEA Four, Andres Serrano, and Robert Mapplethorpe." This was a brouhaha surrounding the public funding of four controversial performance artists and two equally provocative visual artists. "I became the target during the Newt Gingrich Congress," she continues. "During those four years I was shifted into a political arena."Alexander does not regret her role at the NEA. Indeed, she met fascinating artists and politicians who never would have crossed her path otherwise, she says. "And I have wonderful stories to tell about Newt Gingrich." Still, it took her close to seven years to be viewed as an actor again and make the transition back to the stage. She likens acting to riding a bike. "You never forget it," she says. Alexander has indeed had a fortunate career. There are no roles she's dying to do. She concludes, "I made that list when I was 16, and I've now done most of them.""The Lady From Dubuque" will play through March 25 at the Pershing Square Signature Center, 480 W. 42nd St., NYC. (212) 244-7529 or www.signaturetheatre.org. Outtakes Mother of Jace Alexander, an actor, a director, and a co-founder of the NY theater company Naked AngelsAppeared on Broadway in 13 plays, was nominated for six Tony Awards, and won a Tony for "The Great White Hope"Has more than 55 film and TV credits, earning four Academy Award nominations, six Emmy nominations, and Emmy Awards for her performances in "Warm Springs" and "Playing for Time"Wrote a memoir, "Command Performance: An Actress in the Theater of Politics," and co-wrote "The Blue Fish Cookbook" Jane Alexander Tackles Edward Albee's 'The Lady From Dubuque' By Simi Horwitz March 1, 2012 Jane Alexander in "The Lady from Dubuque" PHOTO CREDIT Joan Marcus Imagine playing an amorphous figure who may or may not represent impending doom. Not that the title character, Elizabeth, is delineated as such in Edward Albee's "The Lady From Dubuque," now running Off-Broadway at the Pershing Square Signature Center. But she's clearly on another plane, says the patrician Jane Alexander, who's tackling the part in the intense drama centering on Jo, a dying woman (Laila Robins), and her tormented relationships with her spouse and their friends. After a raucous evening, mysterious strangers Elizabeth and Oscar (Peter Francis James) arrive, seemingly out of nowhere, to soothe Jo. "Edward says you cannot play a character as a metaphor," Alexander says. "Edward won't define her, not even in private. So I play it as I feel it, as a flesh-and-blood woman, who's there as a comforter. That's what Jo needs. Edward says reality is defined by what we need."Often playing aristocratic women, Alexander has had a stellar career in theater, film, and television and garnered a shelf-ful of awards along the way. She also served as the chair of the National Endowment for the Arts from 1993 to 1997. A lifelong activistfrom civil rights to anti-Vietnam protests to feminismAlexander now focuses her attention on environmental issues, with a special interest in conserving natural habitats for wildlife.Though she never envisioned a life in government, Alexander had her sights set on acting when she was growing up in Boston. But to accommodate her father, who firmly believed everyone should have a fallback career, Alexander majored in math as well as theater at Sarah Lawrence College. Computers were beginning to appear, and Alexander thought if acting didn't pan out she could work as a programmer. Her junior year abroad at the University of Edinburgh, however, changed the course of her life. She performed with the school's drama club, and her talents were touted by the local papers. No longer open to pursuing backup gigs, she dropped out of college and forged ahead with acting. "My poor dad," Alexander recalls. "But he told me to go ahead with it and gave me two years."As it turned out, within that deadline she was working as an actor. Throughout her career, she honed her craft and played an array of parts in regional theaters. But a pivotal momentindeed, an artistic epiphanyoccurred when she was starring in "Saint Joan" at the Arena Stage in Washington, D.C. Her future husband, Edwin Sherin, was directing. At the time she had been studying with a teacher in NY"who will remain nameless," she chortles. "Ed said to me, 'There's only one problem with your acting. You can't be seen, and you can't be heard.' So I jettisoned the method I had been working on and listened to Ed. I learned how to put more emphasis on the vocal and took ownership of my roles."Her professional watershed was starring opposite James Earl Jones in "The Great White Hope," playing a black boxer's white mistress. It was launched at the Arena Stage and moved on to Broadway in 1968 before becoming a major film. The production established the careers of both actors. "We both got Tony Awards, Academy Award nominations, and were off and sailing in all three mediums," she remarks, sounding thrilled even in retrospect. " 'The Great White Hope' was remarkable especially during the height of the civil rights movement. There were 63 actors in the cast, playing over 200 roles, and more than half of them were African-American. The audience was diverse. It was incredible to be part of that."A Proactive CareerNever one to rest on her laurels, Alexander decidedafter close to 20 years of working steadilyshe needed to become proactive and produce her own work. It was not simply to give herself choice roles: "I felt there were stories I wanted to tell," she says. The projects she produced and starred in included "Calamity Jane" for CBS and "A Marriage: Georgia O'Keeffe and Alfred Stieglitz" for PBS.But mounting self-generated work was not easy, and Alexander soon tired of the relentless struggle. "Being in Hollywood when you're a woman in your late 40s was very tough, especially then," she points out. "There was a lot of pressure and humiliation. Many of the producers didn't know who I was."Interestingly, for mature screenwriters, she felt there was far more discrimination than for female actors of a certain age. "Producers were known to have said, 'Don't send me scripts written by writers over 35' or some other young age," she recalls. "The only discrimination I felt as an actor is that there have always been more roles for mature men than mature women in film." A major shift in Alexander's life took place when she was tapped by President Bill Clinton to helm the NEA. It was the capstone of a lifetime dedicated to progressive movements. Still, she was not fully prepared for what came with her new post."I became the focus of media attention," she says. "It was during the time of the NEA Four, Andres Serrano, and Robert Mapplethorpe." This was a brouhaha surrounding the public funding of four controversial performance artists and two equally provocative visual artists. "I became the target during the Newt Gingrich Congress," she continues. "During those four years I was shifted into a political arena."Alexander does not regret her role at the NEA. Indeed, she met fascinating artists and politicians who never would have crossed her path otherwise, she says. "And I have wonderful stories to tell about Newt Gingrich." Still, it took her close to seven years to be viewed as an actor again and make the transition back to the stage. She likens acting to riding a bike. "You never forget it," she says. Alexander has indeed had a fortunate career. There are no roles she's dying to do. She concludes, "I made that list when I was 16, and I've now done most of them.""The Lady From Dubuque" will play through March 25 at the Pershing Square Signature Center, 480 W. 42nd St., NYC. (212) 244-7529 or www.signaturetheatre.org. Outtakes Mother of Jace Alexander, an actor, a director, and a co-founder of the NY theater company Naked AngelsAppeared on Broadway in 13 plays, was nominated for six Tony Awards, and won a Tony for "The Great White Hope"Has more than 55 film and TV credits, earning four Academy Award nominations, six Emmy nominations, and Emmy Awards for her performances in "Warm Springs" and "Playing for Time"Wrote a memoir, "Command Performance: An Actress in the Theater of Politics," and co-wrote "The Blue Fish Cookbook"

NBCUnis Maury Spinoff Talk Show Trisha Formally A Go For Fall With 80% Clearances

NBCUniversal Domestic Television Distribution’s new syndicated talk show Trisha, a spinoff in the organization’s veteran Maury, has turned into a apply for fall with clearances in than 80% in the U.S., including 27 in the top 30 areas. Trisha‘s core station group is Sinclair, which acquired the series situated by popular British talk-show host Trisha Goddard in October. In those days, the show wasn't firmed up for just about any national rollout because it was yet to discover stations inside the top three areas — NY La and Chicago — something it is accomplished. Within the last several seasons, Goddard offered just like a guest host and conflict expert on Maury, and her new show is predicted to give consideration to conflict resolution. Maury executive producer Paul Faulhaber may even executive result in the offshoot. This can be the 5th syndicated talk show to create across the nation inside the fall, along with NBCU’s Steve Harvey additionally to Disney’s Katie, CBS’ Rob Probst and Twentieth TV’s Ricki Lake.

Piaget Producer's Award: Sophia Lin

LinMondBurrisSophia Lin Author-director Shaun Nichols and star Michael Shannon might have become the majority of the attention for that hallucinatory Sundance darling "Take Shelter," but it is unlikely the pic could have been recognized with no efforts of producer Sophia Lin."Stretching assets and taking advantage of our crazy schedule" were the greatest challenges for that practical-minded Lin, who, employed in close harmony with Nichols, handled the budgeting, personal time management and physical facets of production, permitting the director to understand his complex vision inside the project's limited means.Lin has strained in a variety of facets of film production for 16 many favors to collaborate with "practical, yet creative" company directors like David Gordon Eco-friendly whose on-set methodology mirrors her very own and that do not "fresh paint themselves right into a corner using their own ambitions."Lin's current project may be the horror pic "The Beach House" helmed by Shaun Brown, another in her own web of longtime affiliates, and that is scheduled to shoot in May.RUNNERS-UP Josh Mond"Martha Marcy May Marlene" Founding the development company Borderline Films, together with company directors Sean Durkin and Antonio Campos enables producer Mond to create uncompromising films towards the bigscreen. The critical success of Durkin's film along with a recent distribution cope with Fox Searchlight guarantees that Mond's efforts continues to obtain ample exposure.Chad Burris"Mosquita y Mari" An advocate for Native American participation within the arts plus an accomplished producer, Burris may be the leader from the Oklahoma Territory Film Council the director of Yuwita, a nonprofit supporting American Indian media initiatives and also the guy behind such celebrated film projects as "Woofing Water" and "Mosquita y Mari."FILM INDEPENDENT SPIRIT Honours 2012FIND finds fresh Spirit guidesHonoreesPiaget Producer's Award Audi Anyone to Watch Award Nokia Truer Than Fiction Award Contact the range newsroom at news@variety.com

Nachmanoff Shooting American Assassin

He'll dominate the thrillerIt's all change for your adaptation of Vince Flynn potboiler American Assassin, as Jeffrey Nachmanoff has signed onto dominate writing and pointing duties from Erection dysfunction Zwick.The Love Together With Other Drugs co-author/director has dropped out because he'll be too busy pointing Legendary East's The Fantastic Wall and CBS Films has made a decision this didn't desire to watch out for him to become proven.Now Nachmanoff will tackle pointing it which, although it's Flynn's eleventh inside the series, flashes to stay with the foundation story in the central hero, Mitch Rapp.It calculates that Rapp happen to be a greater-flying college student and promising athlete until an urgent situation saw him switch career paths and become most likely probably the most devoted terrorist potential predators coping with the CIA.No decision continues to be produced on who'll play Rapp: while stars like Matthew Fox, Gerard Butler and Colin Farrell happen to be options when the film will be a straight adventure, the producers are really trying to find someone somewhat youthful.Nachmanoff has some understanding about spies and double crosses, getting co-written and directed Traitor. He's been working behind the digital camera for ace US conspiracy series Homeland. And also the script for Last Stand will rapidly be on-screen, starring Arnold Schwarzenegger since the small town sheriff who needs to handle a criminal offence master developing a bolt for your Mexican border through his territory.

Fox skeds 'Q'Viva' Saturdays in March

Fox will air unscripted series "Q'Viva! The Chosen" in primetime beginning Saturdays next month, completing the U.S. piece of Endemol's massive global distribution strategy. "Q'Viva," which will air in two-hour blocks over six weeks beginning March 3, is a music-competition skein featureing Jennifer Lopez and Marc Anthony traveling throughout Latin America in search of talent. A Spanish-language version of the series began running on Univision last month in the U.S., one of 21 countries where it is scheduled to run. "Q'Viva," which will step in for Fox series "Cops" at 8 p.m., is a joint production from Simon Fuller's XIX Entertainment,Lopez's NuYoRican Prods., Anthony and Jamie King. Fox isn't the only network putting originals on rerun-heavy Saturday at that time. ABC is rolling out "My Strange Addiction: A Special Edition of 20/20" throughout March, the same month that CBS will turn over its primetime to its annual coverage of the NCAA men's basketball tournament. Contact Andrew Wallenstein at andrew.wallenstein@variety.com

The Artist Rules The 2012 BAFTAs!

Seven honours for that quiet filmThe French are coming!Michel Hazanavicius' The Artist ruled the 2012 BritishAcademyFilmAwards with seven awards, such as the large ones for the best Film, Best Director, Best Actor and finest Original Script. As well as gentlemen, c'est incroyable.In France They quiet film also won Best Original Music, Best Cinematography and finest Costume Design within an impressive haul. As the BAFTAs aren't typically an ideal predictor from the Academy awards, with Brit home-area advantage along with a slightly different group of focal points, this can increase the film's momentum starting that final push. Trailing behind that achievement were four films with two honours each:Mess Tailor Soldier Spy, The Iron Lady, Hugo and Senna. The Descendants and Moneyball, to not mentionGeorge Clooney and Kaira Pitt, went home empty-handed, as did the kind of War Equine and Shame.Mess Tailor, on home turf, required Outstanding British Film and finest Modified Script, with film writer Peter Straughan wryly saying thanks to The Artist because of not being nominated for the reason that category before delivering a psychological tribute to his late wife and co-film writer Bridget O'Connor.Best Actress visited MerylStreep on her submit The Iron Lady, that also acquired a properly-deserved Best Make-Up &Hair - because getting that helmet hair in position isn't any mean task. Streep lost footwear in route onstage, compelling a Cinderella moment when presenter Colin Firth went to retrieve it and changed it on her.Somewhere else, Hugo beat Harry Potter to Best Production Design as well as required Best Seem - but Potter got Best Visual Effects as some kind of compensation. Senna, meanwhile, required home Best Documentary and finest Editing. Our full BAFTAnight blog Photos of all of the those who win Photos in the red-colored carpetThe full listing of those who win is below.BEST FILMThe ArtistTheDescendantsDriveThe HelpTinker Tailor Soldier SpyOUTSTANDING BRITISH FILMMy Week WithMarilynSennaShameTinker Tailor Soldier SpyWe Have To Discuss KevinOUTSTANDING DEBUT With A BRITISH Author, DIRECTOR OR PRODUCERAttack The Block - Joe Cornish (Director/Author)Black Pond - Will Ho (Director/Author), Tom Kingsley (Director), Sarah Brocklehurst (Producer)Coriolanus - Rob Fiennes (Director) Submarine - Richard Ayoade (Director/Author) Tyrannosaur - Paddy Considine (Director), Diarmid Scrimshaw (Producer)FILM NOT Within The British LANGUAGE IncendiesPinaPoticheA SeparationThe Skin I Live InDOCUMENTARYGeorge Harrison:Residing In The Fabric WorldProject NimSennaANIMATED FILMThe Adventures Of Tintin:The Key From The UnicornArthur ChristmasRangoDIRECTORMichel Hazanavicius - The ArtistNicolas Winding Refn - DriveMartin Scorsese - HugoTomas Alfredson - Mess Tailor Soldier SpyLynne Ramsay - We Have To Discuss KevinORIGINAL SCREENPLAYMichel Hazanavicius - The ArtistAnnie Mumolo, Kristen Wiig - BridesmaidsJohn Michael McDonagh - The GuardAbi Morgan - The Iron LadyWoody Allen - Night time In ParisADAPTED SCREENPLAYAlexander Payne, Nat Faxon, Jim Rash - The DescendantsTate Taylor - The HelpGeorge Clooney, Grant Heslov, Love Willimon - TheIdes Of MarchSteven Zaillian, Aaron Sorkin - MoneyballBridget O'Connor, Peter Straughan - Mess Tailor Soldier SpyLEADING ACTORBrad Pitt - MoneyballGary Oldman - Mess Tailor Soldier SpyGeorge Clooney - The DescendantsJean Dujardin - The ArtistMichael Fassbender - ShameLEADING ACTRESSBerenice Bejo - The ArtistMeryl Streep - The Iron LadyMichelle Williams - My Week with MarilynTilda Swinton - We have to Discuss KevinViola Davis - The HelpSUPPORTING ACTORChristopher Plummer - BeginnersJim Broadbent - The Iron LadyJonah Hill - MoneyballKenneth Branagh - My Week with MarilynPhilip Seymour Hoffman - The Ides of MarchSUPPORTING ACTRESSCarey Mulligan - DriveJessica Chastain - The HelpJudi Dench - My Week with MarilynMelissa McCarthy - Bridesmaids Octavia Spencer - The HelpORIGINAL MUSIC The Artist - Ludovic BourceThe Girl WithThe Dragon Tattoo - Trent Reznor, Atticus RossHugo - Howard ShoreTinker Tailor Soldier Spy - Alberto IglesiasWar Equine - John WilliamsCINEMATOGRAPHYThe Artist - Guillaume SchiffmanThe Girl WithThe Dragon Tattoo - Shaun CronenwethHugo - Robert RichardsonTinker Tailor Soldier Spy - Hoyte van HoytemaWar Equine - Janusz KaminskiEDITING The Artist - Anne-Sophie Bion, Michel HazanaviciusDrive - Pad NewmanHugo - Thelma SchoonmakerSenna - Gregers Sall, Chris KingTinker Tailor Soldier Spy - Dino JonsaterPRODUCTION DESIGNThe Artist - Laurence Bennett, Robert GouldHarry Potter And Also The Deathly Hallows Part 2 - Stuart Craig, Stephenie McMillanHugo - Dante Ferretti, Francesca Lo SchiavoTinker Tailor Soldier Spy - Maria Djurkovic, Tatiana MacDonaldWar Equine - Ron Carter, Lee SandalesCOSTUME DESIGNThe Artist - Mark BridgesHugo - Sandy PowellJane Eyre - Michael O'ConnorMy Week WithMarilyn - Jill TaylorTinker Tailor Soldier Spy - Jacqueline DurranMAKE UP & HAIRThe Artist - Julie Hewett, Cydney CornellHarry Potter AndThe Deathly Hallows Part 2 - Amanda Dark night, Lisa TomblinHugo - Morag Ross, Jan ArchibaldThe Iron Lady - Marese Langan, Mark Coulier, J. Roy HellandMy Week With Marilyn - Jenny ShircoreSOUNDThe Artist - Nadine Muse, Gérard Lamps, Michael KrikorianHarry Potter And Also The Deathly Hallows - Part 2 - James Mather, Stuart Wilson, Stuart Hilliker, Mike Dowson, Adam ScrivenerHugo - Philip Stockton, Eugene Gearty, Tom Fleischman, John MidgleyTinker Tailor Soldier Spy - John Casali, Howard Bargroff, Doug Cooper, Stephen Griffiths, Andy ShelleyWar Equine - Stuart Wilson, Gary Rydstrom, Andy Nelson, Tom Manley, Richard HymnsSPECIAL VISUAL EFFECTSThe Adventures Of Tintin:The Key OfThe Unicorn - Joe LetteriHarry Potter And Also The Deathly Hallows Part 2 - Tim Burke, John Richardson, Greg Butler, David VickeryHugo - Take advantage of Legato, Ben Grossman, Joss WilliamsRise From The Planet From The Apes - Joe Letteri, Serta Lemmon, R. Christopher WhiteWar Equine - Ben Morris, Neil CorbouldSHORT ANIMATION AbuelasBobby YeahA Morning StrollSHORT FILMChalkMwansa The GreatOnly Seem RemainsPitch Black HeistTwo And TwoTHE ORANGE WEDNESDAYS RISING STAR AWARD (chosen for through the public) Adam DeaconChris HemsworthChris O'DowdEddie RedmayneTom HiddlestonThose who win Gallery